It seemed about time I actually posted some photos of the paintings I've been working on. Doing copies of paintings from people who are better than you is great way to learn. These are my versions of works by Xenia Hausner, Henry Yan, and Gregory Manchess in that order.
Tuesday, November 29, 2011
Thursday, November 3, 2011
Friday, October 28, 2011
Start of 1st Quarter Project
The quarter is flying by so its time to start crunching on our personal projects. I started this 4 days ago.
Upcoming Show
My work is going to be shown at the West Seattle Real Estate Associates Office next month. The opening will be on Thursday November 10th 6-9 pm and the show will stay up through the month. Hope you can make it.
Seattle Real Estate Associates Office
4535 44th Ave SW
Seattle Wa 98116
Seattle Real Estate Associates Office
4535 44th Ave SW
Seattle Wa 98116
Wednesday, October 26, 2011
Saturday, October 22, 2011
Some LifeRoom Studies
For the past few weeks I've been working very slowly on a Xenia Hausner mastercopy and have spent way too much time on the word of the week assignments. A million things to do and no time to do it. So when in doubt, here's some liferoom drawings from this quarter...
I've been experimenting with different techniques. My norm thus far has been vine or willow on newsprint for shorter poses and hard charcoal pencils and a stump on strathmore charcoal paper for sustained poses. Now I'm changing it up. I saw a youtube demo where an artist drew a portrait, wiped it out, then redrew another version over the ghost image and repeated the process, slowly building up value as he did. This is my attempt at that. For portraits, it a fast way to go because all the the subtle values happen on the own instead of needing to stump my way over everything.
This is my standard stump + hard charcoal pencil on Strathmore
Here's my attempt at Henry Yan's method, vine/compressed/med charcoal pencil on newsprint. His thing all boils down to just being really good, working really fast, and line quality. He's my idol so the plan is to keep working like this for awhile.
I've been experimenting with different techniques. My norm thus far has been vine or willow on newsprint for shorter poses and hard charcoal pencils and a stump on strathmore charcoal paper for sustained poses. Now I'm changing it up. I saw a youtube demo where an artist drew a portrait, wiped it out, then redrew another version over the ghost image and repeated the process, slowly building up value as he did. This is my attempt at that. For portraits, it a fast way to go because all the the subtle values happen on the own instead of needing to stump my way over everything.
This is my standard stump + hard charcoal pencil on Strathmore
Here's my attempt at Henry Yan's method, vine/compressed/med charcoal pencil on newsprint. His thing all boils down to just being really good, working really fast, and line quality. He's my idol so the plan is to keep working like this for awhile.
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